Publication:
The weirdness of contemporary Greek cinema

dc.contributor.authorVarmazi, Eleni
dc.contributor.institutionVarmazi, Eleni, Bahçeşehir Üniversitesi, Istanbul, Turkey
dc.date.accessioned2025-10-05T16:00:43Z
dc.date.issued2019
dc.description.abstract[No abstract available]
dc.identifier.doi10.1386/fiin.17.1.40_1
dc.identifier.endpage49
dc.identifier.issn16516826
dc.identifier.issn20403801
dc.identifier.issue1
dc.identifier.scopus2-s2.0-85067032962
dc.identifier.startpage40
dc.identifier.urihttps://doi.org/10.1386/fiin.17.1.40_1
dc.identifier.urihttps://hdl.handle.net/20.500.14719/11190
dc.identifier.volume17
dc.language.isoen
dc.publisherIntellect Ltd. Bethan@intellectbooks.com
dc.relation.sourceFilm International
dc.subject.authorkeywordsAthens
dc.subject.authorkeywordsClass
dc.subject.authorkeywordsFamily
dc.subject.authorkeywordsFinancial Crisis
dc.subject.authorkeywordsGreece
dc.subject.authorkeywordsGreek New Wave
dc.subject.authorkeywordsGreek Weird Wave
dc.subject.authorkeywordsYouth
dc.titleThe weirdness of contemporary Greek cinema
dc.typeArticle
dcterms.referencesHomeland, (2010), Interactions Studies in Communication Culture, (2012), Screenanarchy, (2012), Hollywood Reporter, (2012), Theatre of the Absurd, (1961), Battleship Pretension, (2012), Sundance 2012 Review L by Babis Makridis Flix, (2012), Galt, Rosalind, Default cinema: Queering economic crisis in Argentina and beyond, Screen, 54, 1, pp. 62-81, (2013), Dogtooth Way Too Indie Independent Film and Music Reviews, (2011), Karalis, Vrasidas, A History of Greek Cinema, pp. 1-318, (2012)
dspace.entity.typePublication
local.indexed.atScopus
person.identifier.scopus-author-id57191040371

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